The Quimbo couple, Representative Stella Quimbo and her husband, Miro Quimbo, who served as Marikina 2nd District Representative from 2010 to 2019, have defended the marks displayed on government-funded projects in their district, stating that these symbols are not for self-promotion but evidence of their hard work. The couple argues that these identifiers serve as a reminder of their dedication and contribution to the city. However, critics quickly counter that these projects are funded by taxpayers' money, and thus, the credit for these achievements should go to the people of Marikina, not to the Quimbos themselves.
This issue of "epal" politics, or the self-promotion of public officials through the use of symbols on government projects, has long been a point of contention in the Philippines. The latest controversy involving the Quimbo couple's use of a distinctive "Q" symbol on public works projects has reignited the debate over transparency and the proper attribution of credit for public initiatives.
However, the Quimbos' move is not an isolated case in the political landscape of Marikina. In contrast to the Quimbos' approach, Pasig City's current mayor, Vico Sotto, has notably taken a different stance. Sotto, who rose to prominence in the 2019 elections, has made it a point to distinguish himself from his predecessors, particularly the Eusebio family, who previously dominated Pasig's political scene. The Eusebios were known for using the letter "E" as a symbol to brand their projects and, by extension, to promote their political legacy. Sotto, however, has deliberately avoided using personal branding on public projects, choosing instead to focus on the people of Pasig and the community’s role in the city’s development.
This shift in leadership has brought about a greater sense of transparency, as Sotto emphasizes that government work should not be about personal gain or recognition. His administration has been praised for promoting public service and prioritizing the needs of the constituents, rather than highlighting individual achievements. Unlike his predecessors, Vico Sotto has worked to cultivate an image of humility and accountability, positioning himself as a public servant rather than a self-promoter.
The debate over the Quimbos' symbols highlights a broader issue of how public resources should be used and who should receive credit for projects funded by taxpayer money. While the Quimbos argue that their marks reflect their dedication to Marikina, it is crucial to remember that these projects are made possible by the people who fund them. Ultimately, it is the taxpayers of Marikina who deserve the credit for the improvements in their city, not the officials who were elected to serve them.
This discussion underscores the importance of transparency and accountability in governance. Public officials must remember that they are stewards of taxpayer money, and the recognition should always go to the public rather than to the individuals executing the projects. The case of the Quimbos’ branding serves as a timely reminder of the need for careful consideration of how government resources are used and the impact of political symbolism on the public’s trust.