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Monday, October 21, 2024

Creating a legitimate party-list group in the Philippines


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To create a legitimate party-list group in the Philippines, the requirements and process are outlined by the Commission on Elections (COMELEC). Here’s an overview:


1. Qualification of the Group

The group must represent marginalized and underrepresented sectors such as labor, peasantry, fisherfolk, urban poor, indigenous peoples, and others.
 
However, non-marginalized groups like professionals can also form a party-list under certain conditions.

The party must not advocate violence or be connected with any organization that seeks to overthrow the government.

2. Filing of Petition for Registration

The group must file a petition with COMELEC for accreditation as a party-list organization. This is done during a specific period before an election.

The petition must include the name, acronym, and platform of the party, along with supporting documents proving its existence and legal standing.

3. Organizational Structure

The party-list must have a national membership base and an organized structure, which includes a constitution and by-laws.

The officers and members of the group must represent the sector they claim to serve.

4. Proof of Sectoral Representation

The organization must submit a list of members, including proof that these members belong to the sector they claim to represent.

There must be a nominee who will sit in Congress if the party-list wins. This nominee should come from the sector the group represents and be a bona fide member of the organization.

5. Nominee Requirements

Nominees must be Filipino citizens, registered voters, and bona fide members of the party-list.

They should not have been convicted of any crimes involving moral turpitude.
They must submit a Certificate of Nomination and Acceptance (CONA) to COMELEC.

6. Electoral Performance

A party-list must garner at least 2% of the national vote to secure a seat in the House of Representatives.

Additional seats are awarded depending on the number of votes received, up to a maximum of three seats.

7. Financial Requirements

The organization must file financial reports with COMELEC, including the party’s statement of contributions and expenditures, during and after the election period.

By following these requirements, a party-list can become a legitimate participant in Philippine elections.

"Any organized group of persons may register as a party, organization or coalition for purposes of the party-list system by filing with the COMELEC not later than ninety (90) days before the election a petition verified by its president or secretary stating its desire to participate in the party-list system as a national, regional or sectoral party or organization or a coalition of such parties or organizations, attaching thereto its constitution, by-laws, platform or program of government, list of officers, coalition agreement and other relevant information as the COMELEC may require: provided, that the sectors shall include labor, peasant, fisherfolk, urban poor, indigenous cultural communities, elderly, handicapped, women, youth, veterans, overseas workers, and professionals.The COMELEC shall publish the petition in at least two (2) national newspapers of general circulation.The COMELEC shall, after due notice and hearing, resolve the petition within fifteen (15) days from the date it was submitted for decision but in no case not later than sixty (60) days before election."

UP KEM launches 15th Students’ National Chemical Engineering Conference


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University of the Philippines Chemical

Engineering Society, Inc. (UP KEM)

welcomes the 15th Students’ National

Chemical Engineering Conference

(SNCEC), the premier and flagship

national conference for chemical

engineering students on November 16

and 17, 2024.



With this year’s theme of Unwrapped:

Materializing Sustainability and

Innovation within the Packaging

Industry, UP KEM’s flagship

conference invites all chemical

engineering students to widen

horizons and open the doors to the

many opportunities in the field of

chemical engineering.



SNCEC event consists of three major

sub-events that pioneers connections

between students and engineers.

National Chemical Engineering

Symposium (NACHES) is a symposium

that immerses the future of chemical

engineering into the limitless

possibilities of packaging as a catalyst

for innovation and sustainable

solutions. With this year’s theme of

packaging sustainability, NACHES

champions new innovations within the

field of chemical engineering.

Students’ Chemical Engineering

Networking Event (SCENE) is the

premier networking event that

connects students to the industry’s

best engineers and company

representatives across various

expertise – from food production,

pharmaceuticals, petroleum and

energy, and manufacturing. SCENE

brings opportunities to the forefront

by presenting the nation’s best. This

dinner-mixer opens aspiring chemical

engineers to multinational

opportunities.
 

Inter-University Chemical Engineering

Quiz Show (Inter-U) is a celebration of

the brightest minds among the nation’s

chemical engineering students. Inter-U

is a challenge aimed to test the

knowledge and proficiency of chemical

engineers in engineering and sciences.

All who are eager to pioneer the future

of chemical engineering may sign up

through bit.ly/SNCEC2024Reg.

Film Review: Outside (2024) Directed by Carlo Ledesma


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Netflix Philippines released its first "zombie" film, Outside, directed by Carlo Ledesma and written by Anton Santamaria. What appeared to be a thrilling new entry into the zombie genre turns out to be more of a dramatic family struggle with psychological undertones, with the actual undead playing a minor role. It’s a bold concept—one that could have used the family’s dysfunctional dynamics and the horror of zombies to make a powerful statement about trauma. However, while the film has potential, it ultimately leaves much to be desired in delivering a cohesive and impactful narrative.


An Unbalanced Focus

The most glaring shortfall of Outside is its imbalance between psychological drama and the zombie apocalypse that serves as its backdrop. While the family struggles are central to the plot, the movie could have been more engaging if the zombies were used as metaphors to highlight the traumas each character endures. Instead, the undead creatures remain in the background, a largely wasted opportunity to explore deeper psychological themes. Traumas and zombies are a natural pair, capable of amplifying each other, but here, the film leaves you wanting more from both aspects.

This lack of balance weakens the tension and intensity that are essential in both horror and trauma narratives. With the zombies lurking around but doing little to progress the plot or develop the characters, the film fails to fully realize the emotional and thematic potential that the genre mash-up could have delivered. It’s less of a zombie apocalypse and more of a family therapy session—with the occasional ghoul popping in for ambiance.


Unnecessary Length and Pacing Issues

Another issue with Outside is its running time. The film drags, especially in its middle act, where it often feels like scenes stretch longer than necessary without advancing the story. Viewers may find themselves asking, “When will this end?” The pacing issues diminish the potential emotional payoff, and the film could have been more impactful if it had trimmed some of its slower moments. An overly lengthy runtime for a movie that’s supposed to deal with tension and horror is a disservice, as the suspense should build, not wear thin.

Additionally, the anti-climactic nature of the third act leaves the audience feeling unsatisfied. Had the earlier acts been more concise and tension-filled, the conclusion could have packed more of an emotional punch, especially when dealing with trauma. Instead, the ending presents a resolution that some viewers may find unsympathetic or even harmful for those who have personal experience with trauma.


The “Lulu” Controversy

An unexpected scene involving Marco Masa's character, where he masturbates to a picture of his girlfriend on his phone, sparked considerable discussion online. While some argue it's reflective of reality, others question whether it was necessary for the narrative. It stands out not just because of its controversial nature, but because it doesn’t add much to the film’s broader themes. Was it needed? That’s up for debate, but it’s one of the moments that seemed to grab attention for the wrong reasons, pulling focus away from the more significant struggles the characters are facing.


Strong Performances Amid a Weak Narrative

Where Outside excels is in its ensemble cast, whose performances make the film watchable despite its flaws. Sid Lucero stands out as the father whose internal and external battles define the film’s title. Lucero’s commitment to his role is evident, as he gives a raw and palpable portrayal of a man on the verge of breakdown, both psychologically and emotionally. His acting is among the film’s strongest points, carrying much of the weight of the story.

Marco Masa also delivers a commendable performance, establishing himself as a promising dramatic actor. He brings an emotional depth to his character, despite the controversy surrounding one of his scenes. Meanwhile, Aiden Patdu, once known as a child star, steps into a more mature role with ease, marking a significant moment in his career.

Beauty Gonzalez, with her growing experience in horror films, proves she’s a versatile actress. Her vulnerability, paired with her natural beauty, works well within the horror genre, making her a rising star in Philippine cinema. Together, the cast creates a few emotional moments that stand out, thanks largely to their convincing performances and the help of well-crafted musical scoring.


Visually Striking, But Not Scary

Despite its issues with pacing and narrative, Outside is a visually polished film. The cinematography is glamorous, even when it should be terrifying. While the zombie makeup and effects are well done, their limited screen time prevents them from making a lasting impact. The film’s aesthetic is pleasing, but when it comes to horror, you need more than just visual beauty—you need suspense, terror, and a sense of dread that keeps you on edge. Unfortunately, Outside is more dramatic than thrilling, a choice that ultimately weakens the overall experience.


Final Verdict

Outside had the potential to be a unique and thought-provoking blend of psychological drama and zombie horror, but it falls short due to its unbalanced focus and underutilized zombie element. It’s more of a family drama than a true horror film, and while the concept is intriguing, the execution fails to live up to expectations.

For those looking for a gripping and traumatic horror experience, Outside may leave you underwhelmed. However, the film’s performances, especially by Sid Lucero, Marco Masa, and Beauty Gonzalez, offer a silver lining. The actors breathe life into an otherwise tepid narrative, making Outside worth watching if only for the cast’s commitment to their roles.

Outside may look good on the surface, but it lacks the depth and terror needed to make it a standout in the zombie genre. It’s a film that will make you think about trauma and family struggles but won’t leave you traumatized by the experience.

Released on Netflix PH on October 17, 2024.


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