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Tuesday, July 23, 2024

Meet the filmmakers of the Bacolod Film Festival


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The Bacolod Film Festival will premiere ten short films at SM Bacolod and Ayala Malls Capitol Central cinemas in September.

The recipients of production grants worth 300,000 pesos each from the Bacolod City government are Chelsea Tasic (“A Flower A Day”), Charlene Mead Tupas (“Aninaw”), Juan Carlo Miguel “Jayce” Ferraris (“Blind Date”), Zack Verzosa (“Glub”), Pau Ortaliz Santos (“Laragway sa Karon”), Banjo Hinolan (“Manokan Country”), Willbryan Garcia (“Puli Na, Diche Lesly”), VinJo Entuna (“Sa Pwesto ni Pistong”), Oscar Villanueva (“The Mansion”), and Georgia Elardo (“Those Little Things”).

Chelsea, 20, is a second-year nursing student and filmmaker at the University of St. La Salle in Bacolod City. She started to pursue her passion in filmmaking during her senior high school at the University of Negros Occidental-Recoletos (UNO-R), where she directed two award-winning short films at the UNO-R SHS DigiFest in 2021 and 2022. She also directed “Dalit sa Sala,” which won both People’s Choice award and special citation for its compelling story, at the Sine Negrense: Negros Island Film Festival in 2023.




Meanwhile, Charlene has honed her craft as an alumna of the Maskara Theatre Ensemble and as a member of The Performance Laboratory, Inc. These institutions trained her in community theatre, deepening her understanding of its role in entertainment, education, and advocacy. As an actor, writer, and director, she has contributed to national art festivals, conferences, and collaborative exchanges with theatre groups and artists across the country, guided by theater director Tanya P. Lopez. She garnered national acclaim in 2020 as the grand prize winner of Nespresso Talents for her short film “Tsinelas.”

Jayce is currently pursuing a degree in Bachelor of Arts in Digital Film at Mapua University Makati. He had his directorial debut in the short film “Please Hold...” in 2023. He also directed and produced the short documentary “Bacolod's Drag Odyssey” this year. In addition, Jayce also edited the Puregold Cinepanalo short film “Saan Ako Pinaglihi?”

Zack recently graduated cum laude with a degree of Bachelor of Arts in Communication at USLS. He joined the Bacolod Summer Workshop screenwriting class in 2022. He wrote and directed “AƱoranza” and “Ritmo,” Sine Negrense Open Category finalists in 2023 and 2022, respectively. He also wrote and directed “Instrumentum: Garden of Eden,” which won the Best TV Drama in the Bilib Awards in 2021. He also wrote “Yours Truly” which won Best Picture in the Inasal Awards in 2022 and “Anstal” in 2021.

Pau is a filmmaker with a rich background in screenwriting and video journalism. Starting her career as a screenwriter, she worked on short films such as “Sinta” (2022), “Andromeda” (2021), and “Siete Palabras” (2021). Before venturing into the world of filmmaking, Pau honed her skills as a video journalist for Tolentine Star, the official student publication of UNO-R.

Banjo is a Bacolod-born-and-raised filmmaker with a Mass Communication degree from USLS. His background in theater and film production is complemented by his experience as a director, videographer, and video editor for various cable TV stations in Bacolod City. He is also a part-time instructor at his alma mater. He has participated in and conducted numerous workshops in film production, cinematography, film editing, and directing. His talents have taken him to national and international film productions as both actor and production personnel. He was also mentored by Tanya and the late multi-awarded filmmaker Peque Gallaga.

Willbryan studied Psychology at USLS and is also an alumnus of USLS Maskara Theatre Ensemble like Charlene and Banjo. He has done acting jobs both on stage and on TV. He co-directed the short film “Indi Sya Si Jimmy” which had its premiere at CineKasimanwa: The Western Visayas Film Festival in 2023.

VinJo is a filmmaker from Bacolod City and a graduate of the University of the Philippines Film Institute in 2021. His film training includes attending workshops such as Ricky Lee's Scriptwriting Workshop in 2020, Inggo Petzke's Experimental Filmmaking Workshop in 2019, and the Bacollywood Workshops in 2015. His work “Ang Amomonggo sa Aton” won Best Animated Film at both Gawad Alternatibo and Ateneo Video Open (AVO) in 2022. The film also got the Best Student Film award at the SEA x SEA: South East Asia x Seattle Film Festival (2022), first runner-up for Best Animated Film at the second Pinoy Rebyu Awards (2022), Jury's Choice award at Sine Negrense (2021), Best Screenplay and Far Eastern University Center for the Arts (FCA) Award at SinePiyu, and also the Best Sound Design at AVO in 2022.

Born and raised in Bacolod City, Oscar studied cinematography under the Negros Summer Workshops and sound design under the Bacollywood Summer Workshops. Oscar’s love for screenwriting led him to becoming a filmmaker, which materialized when his script was selected in the Bacolod Film Festival.

Georgia is a filmmaker, digital media artist, and a graduate of La Consolacion College Bacolod. Her short film “Si Tinay Kag Ang Tamawo” was part of the 2019 Ngilngig Asian Fantastic Film Festival in Davao.

Catch the BFF filmmakers and their films in Bacolod cinemas this September.

Angara temporarily defers RPMS submission to let teachers focus on SY 2024-2025 opening of classes


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Education Secretary Sonny Angara signed on Monday a memorandum extending the deadline of submission for SY 2023-2024 performance ratings until September 2024, while deferring the implementation of the Results-Based Performance Management System (RPMS) for all school-based personnel for School Year (SY) 2024-2025.

Under the memorandum, the RPMS submission for SY 2023-2024 will be moved to September 15 for performance review and evaluation, and September 30, 2024 for performance rewarding and development planning.

The adjustment was set to avoid consequences and possible grounds for disqualifications from monetary and non-monetary performance-related incentives such as step increments, training opportunities, promotion, and educational support among others.

Meanwhile, for SY 2024-2025, all RPMS-related activities at the school level shall be deferred until further notice, including performance planning and commitment, monitoring, assessment, and evaluation of the school and individual personnel.

Sec. Angara noted that this is in response to the need for teaching and non-teaching personnel to focus on the preparations for the opening of classes for SY 2024-2025.

“Ang reklamo ng mga teachers is nakakasabay siya [RPMS] sa bukasan ng pasukan. So, ang daming kailangang documentation, tapos sabay ‘yong Brigada Eskwela, sabay ‘yong opening of classes,” Angara said.

Angara has likewise instructed the Executive Committee of the DepEd to form a Task Force to review and study the implementation of RPMS at the school level for SY 2024-2025 to streamline, improve, and simplify its processes and requirements.

"Bubuo tayo ng isang task force upang araling simplehan at padaliin ang requirement na ito," Angara said, emphasizing that "klaro ang utos ng ating Civil Service Commission na kailangan ang mga ganitong klaseng evaluation process."



For non-school based personnel in the DepEd Central Office, Regional Offices, and Schools Division Offices, the implementation of RPMS for FY 2024 will proceed as planned.





100K Challenge to Create Climate Change Campaign Videos


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CALL FOR SOCIAL MEDIA INFLUENCERS TO COLLAB FOR CREATING CLIMATE CHANGE CAMPAIGN VIDEO (100K CHALLENGE)


Let's strengthen the quality of actionable climate information on social media platforms—and consequently, deepen public engagement with local, national and regional climate issues. We aim to do so by strengthening the climate knowledge and resources of social media content producers.

The goal of this initiative is to raise public awareness and understanding about climate change-related information and motivate action by improving the quality and quantity of climate and environmental content disseminated on social media.

There are two intermediate objectives associated with the goal:

To increase social media content producers’ knowledge of climate change and their access to credible climate-related data sources and thematic expertise.

And to strengthen the capacity and resources of social media content producers to create engaging climate change information in short-form video content format for social media.

In the past two decades, the shift from traditional to digital media has transformed how news and information are disseminated, accessed and experienced. Recently, new challenges in the information space have emerged: people are increasingly getting news and information from social media amidst growing distrust in mainstream news media and the proliferation of smart phones and applications; climate/environmental news avoidance is growing; and mis/disinformation on climate change and other environmental themes is widespread. These challenges are particularly salient to Asia, which currently accounts for 60% of the world’s social media users.

Information consumers, particularly young people, are turning to social media content producers for information they trust, as they are seen as authentic and relatable information sources. 

As this policy brief notes, social media influencers can shape political decisions, engage their followers on civic issues and motivate action. On the other hand, under pressure from platform algorithms to produce frequent and "clickbaity" content, and often ill-equipped with factchecking skills—particularly relevant when discussing science-based issues such as climate impacts and solutions—they are both vulnerable to and can also be disseminators of mis- and disinformation when engaging with their followers.


CRITERIA:


Relevance: Does the pitch meet the criteria and objectives of the call? Is the main idea, context and overall value to the target audience clearly defined?


Angle: Do your ideas for content bring new insights or offer a fresh angle on climate resilience in the Philippines?


Impact: Does the pitch seem compelling? Is it likely to inform and engage, draw attention, trigger debate and urge action?


Innovative storytelling: The use of creative video editing approaches, narrative styles and/or data will be considered a plus. 


Reach out to us to know more...


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