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Sunday, April 9, 2023

Unmask the trickery: DZMC-YCG presents the much-awaited PUP Radio Conference F2F comeback after three years


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The striped tent is up, get your tickets ready ‘cause we’re in for the greatest spectacle of the year


As it marks its 10th edition, the Polytechnic University of the Philippines (PUP)’s DZMC-Young Communicator’s Guild (YCG) is set to kick off the PUP Radio Conference on April 14, 2023, at Tanghalang PUP, three years after the pandemic halted its physical symposium.


Excitement is an understatement for Project Head Edward Jayson Comeo for leading this year’s theme: “MANIOBRA: Unveiling the Illusion Behind Public Deception,” which aims to highlight the importance of educating the masses in the post-truth era, when the value of truth in socio-political discourse has declined.



“I am confident that this year, we have a bigger purpose, now more important and relevant than ever, because of our mission and objective to take part in the challenge of combating information peddlers who engage in (the) deceptive practice,” he said.


Comeo also added, “There's so much to anticipate, but above all, I am hopeful that all of the sacrifices we made together with the organizers of this event will be worth it because there will be additional knowledge that we will gain thereafter.”


Meanwhile, Gef Manabat, Project Co-Head, wishes to offer the participants “a thought-provoking and timely symposium that will inspire a much more enthusiastic, passionate, and patriotic generation of radio practitioners who will be powered by their integrity to serve the public.”


Together with the conference is the PUP Radio Festival, dedicated to flaunting the students' talents, skills, and originality in Radio News Production, Radio Podcasting, and Radio Jingle Making. The online competition, now in its third year, is open to high school and college students nationwide, with over 140 participants. The Best Output and Special Recognition prizes for the most spectacular entries will be presented on April 16, 2023. It will be live-streamed on the PUP Radio Conference and the event Media Partners' official Facebook pages.


The PUP Radio Conference 2023 is co-presented by AboutFace Cosmetics, Philusa Corporation,

RED Images, Motivo, Sweet Soul PH, The Light Bearer, and Yummy2Tummy PH.


The DZMC—Young Communicators' Guild is the official student radio and news organization of the Polytechnic University of the Philippines—College of Communication in Sta. Mesa, Manila.


Follow the PUP Radio Conference on Facebook and Twitter for more details.


#PUPRConManiobra #PUPRCon2023 #PUPRFest2023

Why was Voltes V banned in the Philippines


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Voltes V is a classic Japanese anime television series that first aired in 1977. It was created by Tadao Nagahama and produced by Toei Animation, and quickly became a cultural phenomenon in Japan, as well as in other parts of the world where it was broadcast. The show was groundbreaking at the time, blending together elements of science fiction, giant robot action, and drama, and paving the way for many other anime shows that followed in its footsteps.


The Plot and Characters of Voltes V

Voltes V takes place in a world where Earth is threatened by an evil empire known as the Boazanian army. Led by the ruthless Prince Zardoz, the Boazanians have conquered numerous planets and are now targeting Earth as their next conquest. To combat this threat, Dr. Kentaro Gō, a brilliant scientist, creates the ultimate weapon - the Voltes V robot.

The titular Voltes V is comprised of five individual vehicles that combine to form the giant robot. These five vehicles are piloted by the Gō siblings: Kenichi, Daijirō, Hiyoshi, Megumi, and Ippei. Each sibling brings their unique skills and abilities to the team, making them a formidable force against the Boazanians.

Other notable characters in the series include Dr. Gō's loyal assistant, Professor Hamaguchi, and the Gō siblings' mother, Mitsuko. The Boazanian army is led by Prince Zardoz and his top lieutenants, including the treacherous Count Egobossler.


Themes and Impact of Voltes V

One of the most prominent themes in Voltes V is the power of teamwork. The Gō siblings each have their own strengths and weaknesses, but when they work together, they become a force to be reckoned with. This message of cooperation and collaboration is still relevant today, and is part of what makes the show timeless.

Another key theme in Voltes V is the importance of standing up to tyranny and oppression. The Boazanian army is a clear stand-in for real-world dictatorships and imperial powers, and the Gō siblings are portrayed as heroic freedom fighters. This message resonated with audiences at the time, and continues to be relevant today, as people all over the world struggle against oppressive regimes and systems.

Voltes V was also groundbreaking in its depiction of giant robots. While shows like Gundam and Mazinger Z had already established the genre, Voltes V took it to the next level, with intricate, detailed designs and intense action scenes. The show's impact on the genre cannot be overstated, and it remains a beloved classic among anime fans to this day.


Legacy of Voltes V

Voltes V remains an iconic anime series, and has had a lasting impact on popular culture. It has spawned numerous spin-offs, sequels, and adaptations, including video games, manga, and even a live-action movie. The show has also been referenced and parodied in countless other works, from other anime shows to music videos and advertisements.

Perhaps most importantly, Voltes V has inspired generations of anime fans and creators. Its themes of teamwork, bravery, and standing up to oppression continue to resonate with people all over the world, and its influence can be seen in countless other anime shows and media.

Voltes V is a classic anime series that has had a lasting impact on popular culture. Its themes of teamwork and standing up to tyranny continue to resonate with audiences today, and its influence can be seen in countless other anime shows and media. As a groundbreaking and beloved classic, it will always hold a special place in the hearts of anime fans everywhere.



Why was Voltes V banned in the Philippines

Voltes V was banned in the Philippines in 1979, at the height of its popularity. The exact reasons for the ban are complex, but there were several factors that contributed to it.

Firstly, the show was seen as promoting violence and rebellion, which was a concern for the authoritarian government of President Ferdinand Marcos. The show's themes of standing up to tyranny and oppression were seen as potentially subversive, and the government may have been worried that the show could inspire anti-government sentiments among the youth.

Secondly, there were concerns about the commercialization of the show. Merchandising of Voltes V toys and other merchandise was a major industry in the Philippines, and there were concerns that the show was promoting consumerism and materialism among young people.

Finally, there were issues with the show's dubbing and translation. The show was originally produced in Japanese and was dubbed into Filipino for its broadcast in the Philippines. However, there were concerns that the dubbing and translation were poor, and that the show was promoting incorrect grammar and pronunciation among young viewers.

All of these factors contributed to the decision to ban Voltes V in the Philippines. The ban remained in place for many years, and the show was not widely available in the country until the early 2000s, when it was finally released on DVD and video. Despite the ban, however, the show remained popular among Filipino fans, and its influence can still be seen in Filipino popular culture to this day.




Did Voltes V promote violence

Voltes V, like many other giant robot anime shows, featured a lot of action and fighting, including scenes of robots battling each other and destroying buildings. However, the show was not necessarily promoting violence.

Instead, the violence in Voltes V was used to tell a story about heroes standing up against tyranny and oppression. The show's themes of teamwork, bravery, and standing up to injustice were all intended to inspire young viewers and encourage them to be heroes in their own lives.

Furthermore, the violence in Voltes V was not gratuitous or excessively graphic. The show was primarily targeted at children and young adults, and the violence was generally depicted in a way that was appropriate for that age group.

It is important to note that different cultures have different standards for what is considered violent or inappropriate for children. In Japan, where the show was produced, the standards for violence in children's programming were different than in the Philippines, where the show was eventually banned. What may be considered acceptable in one culture may not be in another.

Overall, while Voltes V did feature violence, it was not promoting violence as an end in itself. Instead, it used violence as a storytelling device to convey its themes and message of heroism and standing up against injustice.

The Amazing Spider-Man


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Spider-Man is one of the most iconic superheroes in comic book history. Created by writer Stan Lee and artist Steve Ditko, Spider-Man made his first appearance in Amazing Fantasy #15 in August 1962. Since then, the character has become a cultural phenomenon, inspiring countless comic book stories, movies, TV shows, and merchandise.

Peter Parker, also known as Spider-Man, is a high school student from Queens, New York, who is bitten by a radioactive spider while on a school field trip. The spider's bite gives Peter superhuman strength, agility, and the ability to climb walls. He decides to use his powers to fight crime, becoming Spider-Man.

Spider-Man's powers are unique among superheroes. Unlike Superman, who has incredible strength and can fly, or Batman, who is a highly trained martial artist, Spider-Man's abilities are more grounded in reality. He has to rely on his agility and speed to evade danger and his web-slinging abilities to move around the city.

One of the things that makes Spider-Man so relatable is his everyday problems. Unlike other superheroes who are often wealthy or have a strong support system, Peter Parker is a struggling student who has to balance his superhero life with his personal life. He has to deal with the challenges of school, work, and relationships, all while fighting crime as Spider-Man.

Throughout the years, Spider-Man has faced numerous villains, from classic foes like Green Goblin, Doctor Octopus, and Venom, to newer threats like Mr. Negative and Morlun. Each of these villains has challenged Spider-Man in different ways, forcing him to adapt and grow as a hero.

Spider-Man has also been a member of several superhero teams, including the Avengers and the Fantastic Four. His inclusion in these teams has allowed him to interact with other iconic heroes like Captain America, Iron Man, and the Human Torch.

One of the most significant aspects of Spider-Man's legacy is his impact on pop culture. He has been the subject of numerous movies, including the Tobey Maguire-led trilogy, the Andrew Garfield-led Amazing Spider-Man series, and the Tom Holland-led Marvel Cinematic Universe. He has also appeared in countless TV shows and video games.

In addition to his impact on media, Spider-Man has also inspired a legion of fans and cosplayers. His iconic red-and-blue suit has become synonymous with superhero costumes, and his web-slinging abilities have been imitated by countless fans.

Spider-Man's popularity shows no signs of slowing down. With the recent release of Spider-Man: No Way Home, the character's popularity is at an all-time high. And with new stories being told in comics, movies, and TV shows, Spider-Man will undoubtedly continue to be a beloved hero for years to come.

In conclusion, Spider-Man is one of the most iconic and beloved superheroes in history. His relatable personality and unique powers have endeared him to fans for decades, and his impact on pop culture is undeniable. Whether you're a die-hard fan or a casual viewer, there's no denying that Spider-Man is a superhero icon.

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