6 million nurses needed amid the pandemic says World Health Organization

Wazzup Pilipinas!?

 

Nurses in the Philippines can take advantage of the rising demand for their services around the world by pursuing a lucrative and fulfilling career abroad.



The COVID-19 pandemic has highlighted the global shortage of nurses—a challenge that the medical industry has been dealing with since 2016. According to the “State of the World’s Nursing”, a report released by the World Health Organization, there was a global shortage of 5.9 million nurses in 2018, a statistic which has been highly exacerbated during the pandemic.

Now more than ever, the world needs nurses – at least 6 million – to fill the global shortage, and consequently meet the global development goals on health, which are to ensure healthy lives and promote well-being at all ages, including the provision of universal health coverage.

With the increased demand for nurses in various parts of the world, Filipino nurses who are aspiring to work abroad can seize this opportunity to finally fulfill their dreams of having a lucrative and successful career abroad. While applicants may think that it takes a lot of paperwork to get started on applying for a position overseas, TrueProfile.io, a platform that provides Filipino healthcare professionals around the world with tools they need to secure a lucrative career abroad, offers everything that Filipino healthcare workers need to make the move abroad. Some of the services that are hosted on the TrueProfile.io platform include international job opportunities, document verification, licensing services, English language training and exclusive informational resources.

To get started, aspiring healthcare workers must collect all the basic requirements which include either a 1x1 or 2x2 ID picture, PSA-authenticated birth certificate, resume, college diploma, transcript of records, employer contract, marriage contract (if applicable), NBI clearance, passport (valid for at least six months), as well as license and certifications.

Next, since many foreign employers will want to make sure all these documents are authentic and valid, applicants must have their credentials verified. This step can easily be done with the help of TrueProfile.io. By signing up to become a member, TrueProfile.io offers its members with a number of career solutions including a free digital CV that can be shared with employers, regulators and recruiters and can also be showcased on social media.

For interested applicants, simply create an account on TrueProfile (https://member.trueprofile.io/register), build a myTrueProfile page, and then set contact settings to the ‘Recommended’ option in order to attract new career opportunities.



To know more, visit https://www.trueprofile.io/

PEF supports relief and recovery efforts in Odette-hit areas

Wazzup Pilipinas!?


When Supertyphoon Odette hit Kabankalan City in Negros Occidental, Fe Senining’s house was severely damaged, with all its roof blown away by powerful winds.


“Nagpayong kaming mag-asawa sa loob ng aming bahay buong gabi. Basang basa ang mga gamit namin,” she said.

Senining is one of the thousands of residents in Kabankalan that suffered from Odette’s wrath last December 2021. With no electricity and water supply, food crisis is looming in the holidays.

Responding to the immediate needs of the affected communities, the Peace and Equity Foundation, with the support from 15 different local and national organizations, have extended Php 3.5 million worth of food packs and housing materials to more than 6,800 households in seven provinces affected by the onslaught of Typhoon Odette.

In Negros Ociddental, which suffered an estimated Php 5 billion in damages to properties and livelihood and destroyed thousands of houses, PEF social enterprise partners, Hacienda Malaga Cuenca Agrarian Reform Cooperative, and Crossing Ibos Farmers Credit Cooperative led relief efforts in the sugar farming communities in La Castellana and Kabankalan.

 

Sugar Industry Foundation Inc. and Simag Foundation also spearheaded their own relief efforts to households in Sipalay City, Hinoba-an, and other towns in Negros Occidental.

“On December 19, 2021, the PEF board approved deployment of Php 2 million quick response fund to typhoon-stricken areas for food and non-food needs,” PEF Area Manager Peter Nabong said.

The board then approved an additional Php 1.5 million to support an additional 1,100 affected households on December 27.

“Aside from food packs and hygiene kits, we also provided funds to our partner organizations so they can provide roofing materials to households for home repairs,” Nabong added.

PEF also extended support to Surigao del Norte, one of the first areas hit by the Supertyphoon, through Hinatuan Passage Partnership for People Empowerment, Philippine Partnership for the Development of Human Resources in Rural Areas- Mindanao, and Philippine Disaster Resilience Foundation.

Similar efforts by cooperatives, foundations, and people’s organizations were made in Cebu, Bohol, Negros Oriental, Southern Leyte, Dinagat Islands, and Palawan.
With the support she received, Fe Sinining said her worries for what will happen to them in the coming days have lessened.


“Nagpapasalamat po kmi sa tulong ng PEF sa pamamagitan po ng CIFCC. Nabigyan kami kaagad ng ayuda at malaking tulong po sa amin mga pinadala nilang food pack at yero,” she said.

Pulp III: A Short Biography of the Banished Book

Wazzup Pilipinas!?



The National Arts Council Singapore (NAC) is delighted to announce the presentation of Pulp III: A Short Biography of the Banished Book at the Singapore Pavilion at the 59th International Art Exhibition of La Biennale di Venezia (Biennale Arte 2022). The exhibition is conceived by Shubigi Rao, in collaboration with curator Ute Meta Bauer, who together form the first-ever women-led team to represent Singapore at Biennale Arte 2022.

Singapore, 18 January 2022 – A glorious tribute and haunting elegy to shared humanity and communities of print, Pulp III: A Short Biography of the Banished Book marks the midpoint of Shubigi Rao’s evocative 10-year project, Pulp, which explores the history of book destruction and its impact on the futures of knowledge.

Taking the form of a book, film and paper maze, this milestone exhibition created for the Singapore Pavilion explores the precarity and persistence of endangered languages, the futures of public and alternative libraries, and the cosmopolitanism of regional print communities that have blossomed and waned in historic centres of print, including Venice and Singapore. Rooted in the literary movements raised and rewritten by humankind through legendary libraries, halftruths, hearsay, and contested narratives, the presentation is a valuable lyrical manuscript that charts the breadth of human cultural endeavour.

Artist Shubigi Rao comments on the underlying ethos of Pulp III: “The stories in the Pulp project point to different forms of courage, in action, speech, in documenting and in sharing. These stories also make visible the nuanced forms of resistance in print, and of lives lived surrounded by books, of breathing air heavy with the weight of unread but priceless knowledge, of risking everything to save texts that aren’t theirs, and may never be read, but are also more than mere symbolic representations of their civilizations, or some idealistic notion of humanness. These stories embody the most powerful conviction of value beyond narrow tribalism and pecuniary pettifoggery. And every story here speaks also of the millions still unheard and unrecorded. There is redemption in the courage of others, of those who make, write, and save, and so this presentation is an acknowledgment of all the people and texts that shape while they inform, that force us to defend or relinquish positions, or envelop, enclose, and enlighten us.”

 

Pulp III goes beyond the documentary to formulate new strategies of resilient thought across the globe. It represents Shubigi Rao’s long-term aim to explore the moments of convergence between readers, artists, writers, printers, academics, bibliophiles, shadow library activists, librarians and other cultural custodians, as well as various defenders and supporters of print, speech, and open access to knowledge. The resulting presentation is a powerful encapsulation of the many interconnected threads that weave together the artist’s understanding of knowledge generation, ownership, dissemination, and its ecologies that are rapidly emerging in global consciousness.

The Pavilion’s curator, Ute Meta Bauer explains: “At the kernel of this Pavilion is the question of what a history of the banished book actually means. Shubigi Rao employs the book and the moving image as formats of communication which tend to the parts in the story that have often been deliberately obscured by those in power and by the expediencies of capital. The artistic research is deeply interested in the ‘keepers’ of culture, of histories, of herstories, of identity, wherein language becomes a home and a place of retreat to protect and yet lament that which is lost. At a time where the world is experiencing great loss – not just in terms of the human lives lost to the pandemic but also the forms and ways of life lost to the climate crisis – the exhibition at the Pavilion fosters an appreciation for what it means to persist, to productively and meaningfully live together.”

Pulp III continues to connect individuals and communities across disparate regions, each navigating differing obstacles to accessing knowledge, various forms of control over media, both print and online, and issues concerning privacy, data, and access.

Rosa Daniel, Chief Executive of the NAC Singapore, said: “The return of the International Art Exhibition of La Biennale di Venezia serves as a reminder of how the arts continue to be important. Shubigi Rao’s Pulp III takes visitors on a journey through accounts from diverse communities, drawn into the kinship of those who recognise the robustness of the book as a medium, as well as its fragility. We invite people to the exhibition to engage in wholehearted conversations and explore the human stories and perspectives that connect us in meaningful and sustained ways. We also look forward to the return show in 2023 for our local community to experience and immerse in the art work.”

This year marks Singapore’s 10th participation at the Biennale Arte. It is the first time the nation has selected a solo presentation by a woman artist, and the first ever women-led artist-curator team. The official opening of the Singapore Pavilion will be on Thursday, 21 April 2022 at the Arsenale’s Sale d’Armi. The multi-disciplinary installation will be on display on the second floor of the building from 23 April to 27 November 2022.

Join this year’s Singapore Pavilion via Facebook and Instagram (@NACSingapore), and hashtags #SingaporeInVenice #BiennaleArte2022 and #TheMilkOfDreams. More information can be found on https://www.nac.gov.sg/singapore-arts-scene/art-forms/visualarts/singapore-pavilion-at-venice-biennale