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Saturday, August 22, 2020

FDCP’s FilmPhilippines Awards First Cycle of Applications to Its Brand New Film Incentives


Wazzup Pilipinas!

The first cycle of application of the Film Location Incentive Program (FLIP)
and the International Co-production Fund (ICOF), since their launch in January 2020, leads to four awardees.

Four international productions, with two shot in the Philippines and another two co-produced with a Philippine company, are the first recipients of incentives from the FilmPhilippines Office (FPO) of the Film Development Council of the Philippines (FDCP).

Through the Film Location Incentive Program (FLIP), the Filipino line producers of “Almost Paradise” and “Survivor Russia” will receive a 20% cash rebate on their Qualified Philippine Production Expenses (QPPE). The minimum spending requirement is PHP 8 million.


Epicmedia is a co-producer for another ICOF recipient, “Kapag Wala Nang Mga Alon (When The Waves Are Gone)” by Lav Diaz, the acclaimed Filipino auteur recognized by the Berlin, Locarno, and Venice International Film Festivals. Snowglobe from Denmark and Films Boutique from France are also producers. Diaz’s latest film, a revenge drama with locations in Lisbon, Portugal and Manila and Tagaytay in the Philippines, will receive PHP 6 million. Snowglobe produced “BezBog” which made it to Locarno and Toronto while Films Boutique produced the Academy Awards-shortlisted film, “Bird of Passage.” Diaz and Epicmedia worked together on Berlinale Silver Bear Alfred Bauer Prize Winner “Hele sa Hiwagang Hapis (A Lullaby to the Sorrowful Mystery).”

FDCP Chairperson and CEO Liza Diño-Seguerra is grateful for the support of international production companies that took a chance on FilmPhilippines and trusted the Filipino film and audiovisual industry. “The goal of these incentives is to open up the industry for collaboration with the rest of the world, for people to discover how talented we are, how good we are in providing service, and how the Philippines can be a global creative hub for films,” she remarked.

“We need to highlight what sets the Philippines apart from the rest of Asia: English is a second language to us. That's a significant advantage. We are also flexible when it comes to accommodating sudden changes in production. We certainly make things happen,” added Diño-Seguerra.

On top of the financial incentives provided by FLIP and ICOF, the FPO has a third incentive called Film Location Engagement Desk (FLEX), which assists local and foreign productions in all government transactions. FLEX also endorses international productions to Filipino producers and production companies that are duly registered with FDCP’s National Registry.

Among the projects that have received assistance from the FLEX incentive are “Survivor Europe” and feature film “CounterPlay.” “Survivor Europe” is produced by Banijay with local line producer Philippine Film Studios, Inc. while the action thriller “CounterPlay,” directed by Pedring Lopez and starring Hollywood actor Sam Worthington, is produced by MAM Media (Pte.) Ltd. of the US with BlackOps Studios Asia, Inc. as the local line producer.


The US television/video on demand (VOD) series “Almost Paradise” is the first FLIP recipient. It wrapped up production in Mactan Island, Cebu province just before the community quarantine was imposed nationwide. Directed by awarded director/producer Dean Devlin (“Independence Day”, “Geo-Storm”, “Universal Soldier”, etc.), the action-drama on the adventures of a former US Drug Enforcement Agency (DEA) agent who moved to the Philippines had 10 episodes that aired on WGN America. The US production under Electric Entertainment had Philippine broadcasting giant ABS-CBN Corporation as its line producer.

Even before the creation of FLIP, the Philippines is no stranger to the “Survivor” reality TV series, with several episodes and editions filmed in the Southeast Asian country’s pristine beaches. This year, “Survivor Russia” filmed 13 episodes in El Nido, Palawan province. Mastiff Russia, with Managing Director Anton Goreslavsky and General Producer Cyril Lounkevitch, partnered with Philippine Film Studios, Inc., which was involved in “Survivor Finland,” “Survivor Israel,” and “Born on the Fourth of July,” which won the Academy Awards for Best Film Editing and Best Director for Oliver Stone.

As for the select International Co-production Fund (ICOF), full length feature films can receive up to PHP 10 million. Filipino companies in a co-production agreement with international counterparts with at least PHP 5 million worth of QPPE are qualified to apply for the ICOF.



The supernatural thriller “Nocebo” by Lorcan Finnegan will get PHP 6.5 million from the ICOF. Set in Ireland and the Philippines, the film revolves around the revenge story of a Filipino helper against an Irish family. It is a co-production among Wild Swim Films from the UK, Epicmedia Productions, Inc. from the Philippines, and Lovely Productions from Ireland. Wild Swim’s filmography includes BAFTA Outstanding Debut by a British Writer winner “Under the Shadow” while Epicmedia produced the Venice Orizzonti Prize recipient “Engkwentro” by Pepe Diokno. Lovely Productions, which Finnegan set up with Steven Courtney and Brunella Cocchiglia, produced Finnegan’s “Without Name” and “Vivarium” which had a Cannes premiere.



Epicmedia is a co-producer for another ICOF recipient, “Kapag Wala Nang Mga Alon (When The Waves Are Gone)” by Lav Diaz, the acclaimed Filipino auteur recognized by the Berlin, Locarno, and Venice International Film Festivals. Snowglobe from Denmark and Films Boutique from France are also producers. Diaz’s latest film, a revenge drama with locations in Lisbon, Portugal and Manila and Tagaytay in the Philippines, will receive PHP 6 million. Snowglobe produced “BezBog” which made it to Locarno and Toronto while Films Boutique produced the Academy Awards-shortlisted film, “Bird of Passage.” Diaz and Epicmedia worked together on Berlinale Silver Bear Alfred Bauer Prize Winner “Hele sa Hiwagang Hapis (A Lullaby to the Sorrowful Mystery).”

FDCP Chairperson and CEO Liza Diño-Seguerra is grateful for the support of international production companies that took a chance on FilmPhilippines and trusted the Filipino film and audiovisual industry. “The goal of these incentives is to open up the industry for collaboration with the rest of the world, for people to discover how talented we are, how good we are in providing service, and how the Philippines can be a global creative hub for films,” she remarked.

“We need to highlight what sets the Philippines apart from the rest of Asia: English is a second language to us. That's a significant advantage. We are also flexible when it comes to accommodating sudden changes in production. We certainly make things happen,” added Diño-Seguerra.

On top of the financial incentives provided by FLIP and ICOF, the FPO has a third incentive called Film Location Engagement Desk (FLEX), which assists local and foreign productions in all government transactions. FLEX also endorses international productions to Filipino producers and production companies that are duly registered with FDCP’s National Registry.

Among the projects that have received assistance from the FLEX incentive are “Survivor Europe” and feature film “CounterPlay.” “Survivor Europe” is produced by Banijay with local line producer Philippine Film Studios, Inc. while the action thriller “CounterPlay,” directed by Pedring Lopez and starring Hollywood actor Sam Worthington, is produced by MAM Media (Pte.) Ltd. of the US with BlackOps Studios Asia, Inc. as the local line producer.

To be the next FilmPhilippines incentive recipient, enter the Cycle 3 application that will run from September 1 to November 27, 2020. The application period remains up and running amid the pandemic to provide support for filmmakers affected by the COVID-19 crisis. The Cycle 3 is the last chance for productions to apply for the FLIP, ICOF, and FLEX this year. Grab the chance to shoot or work in the Philippines or be in a co-production with a Filipino company, and experience the ease and wonder of filmmaking with the incentives of FDCP’s FilmPhilippines.

Buknoy Glamurr: Influencer or Clout Chaser, Awra Reacts



Wazzup Pilipinas!

Walking the streets at night with a black shiny dress violating health and safety quarantine protocols - not wearing a mask, and shouting, cursing and everything! Scripted or not, it is unbecoming of a so called influencer.

Is it a trend to be ignorant on social media then make an apology video afterwards?

Kailan pa naging tama yung hindi paggamit ng facemask sa labas at paggala ng may curfew at paglabas ng minor ?

I’m against sa mga hate tweets about Buknoy pero sana magreflect rin siya for his or her own growth. It's not defamation. It's pointing out what she or he did wrong.

Isn't he or she ashamed of herself or himself  for being so irresponsible social media influencer? He or she doesn't even deserve to be one.

Palagi niyang scapegoat yung “di ako perfect” at “God bless”.

Kelan siya magbabago? Kelan siya magiging mabait?  Kelan niya aayusin buhay niya?

*Adding fuel to the fire po. Ayan tinulungan na kita ah. Synonyms daw po kasi ang flame and fire. Ayan naloka na sya pati grammar namali na.

And what's this about his or her quarrel with another bayot?

Instead of public apology for the video, you're now saying that Awra is dragging you down? and BTW what's with the "kala mo ang ganda"? Isn't that a real "dragging down" thing? Before uttering/posting such words, make sure it ain't reflecting to you, dear.

Real success begins when you start acknowledging your mistakes and learn from them. And more than that, you should start DOING actions. Hindi 'yung kino-contradict mo 'yung sarili mong mantra. Nakakasuka na, sis.

I’m not a fan of Awra, but I’ll choose her overy Buknoy. Wala pang mga pills yan ha.

Awra is  a natural public figure, he or she has the proper behavior should an influencer possess.

I think Awra shouldn't mind this freaking feeling privilege Buknoy. I mean, girl DON'T STOOP DOWN TO HIS LEVEL!! Remember, you have some class and elegance while him or her, he'll or she'll going to be that stupid TRASH!!




@buknoyglamurrrr  is not an influencer.
HE'S A CLOUT CHASER!

This personality is NOT a public figure he is just a pa famous and wanna be that people love to hate. Stop supporting this person if we really want to get rid of him.

People be hating on Macoy Dubs for the wholesome Auntie Julie content, pero tangina si Buknoy Glamurrr na unabashedly problematic yung value system sa content nya, at si Wil Dasovich na takot manindigan as an influencer, me mga enablers pa.

Social media, you can be so problematic sometimes.

The only content we should cancel are content that are exploitative, unapologetically politically or socially incorrect, fake news, state-sponsored propaganda, or content that go against the very core our humanity.


Someone take Buknoy's phone away from him or her and take away his or her access from social media, please. Someone do it. I can not take this problematic content anymore.

5 Best Instagram Schedulers



Wazzup Pilipinas!

If you need to get your content scheduled on Instagram to save time and minimize effort, you came to the right page – we will discuss what the best Instagram schedulers are and how to properly manage them. But before that, let me remind you why your online business needs a scheduler.

First, your customers expect you to be present on social media; that means, they expect to see your content daily, if not hourly. They are following your brand because you’ve committed to being trustworthy; if you don’t offer them the incentive to continue following your company, they simply won’t. Your product/service has serious competition, most likely, so your clients could easily switch to another provider, if your content volatilizes. In a nutshell, you must keep an online presence at all times if you want customer investments and positive cash flows. Social media schedulers do just that – they keep your profile updated and your customers engaged, whether you are online or not. They’re an automated tool to make use of when time is tight and money important.




Here are the best Instagram schedulers we found and why to use them.

Sked Social

Sked Social is a great tool to analyze, plan, and schedule your posts and stories. This will help you engage your followers but also convert a higher number of customers. Sked Social offers a seven-day free trial that allows you to check out their features and see if this tool is the one you are looking for. FYI:

Sked will work for Instagram as well as Facebook and Twitter – so if you want a schedular that incorporates access to most of your social media platforms, choose this one. However, there are others on the market that might stand out for you, depending on your needs and preferences. Sked offers:

A visual planner – this helps you visualize your future posts and help you sync them together just right. This is cool for many reasons but one of the best ones is that it lets you create an awesome Insta grid of your pictures.

Unlimited users, same price – Sked offers all its benefits for every Instagramer, not considering their number of followers. That means that once you will reach the desired numbers, your costs will remain the same.

Insights on when and how to post and audience demographics (we all know how important this is).

Other features such as a content calendar or an automatic tool for hashtags.

Recommended mostly if: you want to use the scheduler for more than one social media platform.

Buffer Publish

Buffer is another great platform to use if you want to increase your profits long term. This online platform allows you to plan posts for LinkedIn and Pinterest too! Unfortunately, there is a high cost attached to using Buffer *well, high is relative depending on your profits* starting at $15 per month. You could opt for a free plan but that will only cover up to three social media accounts, so it’s not really worth it if your business is expanding. The downside is that Buffer won’t allow for multiple users. However, it offers lots of hashtags, videos, and images that will help your page get more attention.

Mostly recommended if: your business is on LinkedIn.

Hootsuite

Hootsuite is another tool you’ll want to check out; however, I must advise you – their plan starts at $39 per month, making it a wee bit more expansive than every platform we’ve touched on until now. They offer a free plan too, but it, unfortunately, comes with limited features. This is how Hootsuite will help your online business:

You can post on all of your accounts at once (schedule your posts).

It’s optimized for mobile so it’s easy to use when you are on the go.

It helps you find relevant content for your niche and helps search by hashtag. location, or even keyword, which is pretty neat.

Mostly recommended if: you run a small business with fewer needs.

Later

If you want to use another social media scheduler that uses visuals to boost your business profits, Later offers similar features to Sked. Here is the way in which Later could help you:

It offers a visual planner that helps your map out your Insta grid needs – cool, cool, cool!

It helps you find the right content generated by users and save it to your online library.

Offers a comprehensive Insta analytics system.

Good storage limits and quick accessibility.

Mostly recommended if: you want a cheap but high-quality tool for your business.

Tailwind

Tailwind is another one of your best bets – its price starts at $9.99 per month. This app focuses more on visual content (which is always good) yet only supports Pinterest and Instagram. For now, no other social media platforms can be connected to Tailwind. Tailwind will efficiently inform you of the best time to post content and help you find out popular and effective hashtags. In fact, Tailwind is one of the most popular tools if hashtags are your main thing.

Mostly recommended if: hashtags are your main focus to drag business.

Here is a recap of why you need an Instagram scheduler:

It will easily and efficiently upload photos and content to keep your brand intact and poppin.

It will schedule your desired content whenever you need it and will send it to your chosen audience.

Like any popular term paper help writing service, it will keep you from repeating the mistakes of posting and reposting, updating you on when and how to post for the best results.

Here is a recap of how you can choose the Instagram schedule that meets your business’s needs most accurately:

Ask yourself: what do I want out of this? What is my company’s long-time goal? What are my options? What is my budget? What are the features that I am mostly interested in? What is the best fit for me?

Compare Instagram schedulers (their features) to reach the desired outcome. Check out the aforementioned options first! If you’re not completely satisfied, look for more.

Check stats on how well Instagram schedulers worked for other businesses to measure results. Check the feature that you are interested in the most. See what the top choice is in your field of interest and why. Track results, compare stats, and check all the available data before making a decision – in the end, you are investing money into something valuable, so make sure you get the best value out of it.

Conclusion

Finding the best Instagram scheduler can be challenging, but it is definitely worth it. Not only will you be able to work on more productive projects (other than Instagram content creation), but you will also be boosting up your profits by bringing more traffic to your webpage while keeping the existing traffic going. Make sure you understand the exact reasons why an Instagram scheduler is such a great tool before purchasing one; and don’t forget to research well before making a decision. In the end, it’s about the quality, not the quantity. Good luck!

Author’s bio:

Justin is a blogger from Leicester, England, UK. When not teaching his little students and rooting for Leicester FC, he loves to share his thoughts and opinions about education, writing for  law essay writing service and write my essay.
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