Wazzup Pilipinas!
“Saan ka kayang dalhin ng pag-ibig? Hanggang saan mo kaya magpadala?”
Antrosininglaya continues to break walls with its not-so-typical play about love and relationships or popularly known today as “hugot”. Music, theatre, poetry, and audience are treated as elements of the performance.
The Ang Walang Katapusang Sequel performance discusses modern relationships in all its glory and complications. The play is experiential with a site-specific approach placing the audience inches away from the performers, treating everyone in the space as a part of the performance.
Love is boundless and has interminable sequels. The play does not want to tell stories of love under a typical light. The performance tells them how love stories are, how they end, and continue to exist. Ang Walang Katapusang Sequel also takes an experiential and interactive approach to the story where the audience participates and contributes to the performance.
The play is told through different stand-alone episodes involving Matt and his friends, and other lovesick individuals at the bar. The scenes are woven through Matt, who is secretly in love with the Alice, the bar’s resident singer.
Set in an acoustic bar bunch of familiar characters, date, hangout, drink, and catch up. Testaments and sentiments of a hopeless romantic, an old lover, the-one-that-got-away, an unwitting mistress and other not so familiar characters fuel the story's unending discussion about relationships, life, love and everything in between. These not-so-familiar characters share their intertwined stories to the heart-breaking music of the bar’s band and cold bottles of beer like what a typical Friday night should be. What else could happen, right?
Set in an acoustic bar bunch of familiar characters, date, hangout, drink, and catch up. Testaments and sentiments of a hopeless romantic, an old lover, the-one-that-got-away, an unwitting mistress and other not so familiar characters fuel the story's unending discussion about relationships, life, love and everything in between. These not-so-familiar characters share their intertwined stories to the heart-breaking music of the bar’s band and cold bottles of beer like what a typical Friday night should be. What else could happen, right?
The Disappearing Fourth Wall - Instead of the traditional on-stage set up, we will break borders and tell the story in an actual environment where it could happen in actual time. Audience interaction is treated as an essential element of the performance to highlight its realism aspect.
Collaboration of Music and Segmented stories - The play is influenced of stories we hear and encounter on a typical bar night hangout but told in a different approach. The execution of the stories are not limited to acted-out scenes and live music.
Antrosininglaya is open to selling Ang Walang Katapusang Sequel performance to different bars, resto, or any space given where they can blend it in. Contact them through their page or directly message their Artistic Director, Alvin Molina (09167084981 or albin.molina@gmail.com) for details and set-up.
TRT: 75 mins to 90 mins
GENRE: Romantic – Comedy – Light Drama
THEME: love, “hugot”, relationships (and all its complications)
TARGET AUDIENCE: Class B – C. Teenagers, yuppies, people who just want to hang out and chill out to good music.
TICKET PRICE: P250
CONTACT: Maxin Canlas – 0917 764 0827 or send a message through the AWKS Facebook Page
SHOW DATES And VENUE: SPLICE RESTO BAR, GREENFIELD DISTRICT, MANDALUYONG CITY February 4, 2017 (5pm and 9pm) February 5, 2017 (3pm and 7pm)
Previous shows: (the show on the 4th of February will be the 19th show and 7th run)
A Space, Makati City – June 2016
Splice Resto Bar, Mandaluyong City – June 2016
Splice Resto Bar, Mandaluyong City – July 2016
Roxy Events Place, Quezon City – August 2016
Dad Jim’s Diner, Las Pinas City – September 2016 77
Grove Place, Los Banos, Laguna – November 2016