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The cartoonist known as Tarantadong Kalbo


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Tarantadong Kalbo is a controversial Filipino cartoonist who gained notoriety for his irreverent and often offensive cartoons. His real name was not publicly known, as he has chosen to remain anonymous.

Now we know him as Kevin Eric Raymundo, a visual artist and animator. He is the creator of the comics Tarantadong Kalbo or TK to his legion of followers.

Tarantadong Kalbo first rose to prominence in the early 2000s, when his cartoons began circulating on social media and through underground publications. His cartoons are known for their crude and vulgar humor, often featuring sexual and scatological themes.

Many of Tarantadong Kalbo's cartoons are also politically charged, taking aim at government officials, religious figures, and other public figures. His work has been criticized for being insensitive and offensive, with some calling for his cartoons to be censored or banned.

Please note that his humor is often sarcastic, irreverent, and can be offensive to some audiences.

One example of Tarantadong Kalbo's humor is a comic strip where a man asks his wife to accompany him to the gym, but she declines, saying that she prefers to stay home and watch her favorite soap opera. The man then responds, "Why do you need to watch soap operas? We have one here at home!" while pointing to the dishes stacked up in the sink.

This type of humor is known as a "punchline" where the joke builds up to a surprise ending, often using wordplay or irony. Tarantadong Kalbo's humor can be controversial, and some of his jokes may not be suitable for all audiences.

In one of his cartoons, he depicted former Philippine President Gloria Macapagal Arroyo as a large and grotesque creature with numerous arms, each one holding a bag of money. The image was a commentary on the numerous corruption scandals that plagued Arroyo's administration.

Tarantadong Kalbo also made fun of former Philippine President Benigno Aquino III's signature hairstyle, portraying him with a large pompadour and labeling him as "President Kulot" (kulot means curly-haired in Filipino). The caricature was a humorous way of commenting on Aquino's popularity and image-consciousness.

In another cartoon, he depicted Philippine Senator Antonio Trillanes IV as a mouse caught in a mousetrap, with a sign beside him that reads, "Trillanes Trapo Catcher." The image was a commentary on Trillanes' reputation as a "trapo" (traditional politician) who engages in political maneuvering and backroom deals.

Tarantadong Kalbo also poked fun at Philippine President Rodrigo Duterte, portraying him as a superhero named "Duterte-Man," complete with a cape and a mask. However, instead of fighting crime, Duterte-Man is shown cracking down on drug users and political opponents, highlighting the controversial aspects of Duterte's administration.

These are just a few examples of Tarantadong Kalbo's political humor, which often uses satire, caricature, and exaggeration to comment on current events and political figures in the Philippines.

He uses simple illustrations in featuring personalities provoking social commentaries and noise on current events and social issues. His raised fist cartoon inspired the #Tumindig Resistance Movement in the Philippines.

You may follow him on Tarantadong Kalbo’s Facebook, Instagram @tarantadongkalbo and Twitter account @KevinKalbo 

Despite the controversy surrounding his work, Tarantadong Kalbo has maintained a loyal following of fans who appreciate his edgy and unconventional approach to cartooning. Some have praised him for his willingness to speak truth to power and challenge societal norms through his work.

However, others argue that his cartoons are harmful and perpetuate negative stereotypes and discrimination towards certain groups of people. They also point out that humor should not come at the expense of others' dignity or well-being.

In recent years, Tarantadong Kalbo has become less active in the public eye, and it is unclear if he is still creating new cartoons. However, his legacy as a controversial and polarizing figure in Filipino cartooning remains, and his work continues to spark debates about the limits of free speech and artistic expression.

In conclusion, Tarantadong Kalbo is a Filipino cartoonist known for his controversial and often offensive cartoons. While some admire his unapologetic approach to cartooning, others criticize his work for being harmful and insensitive. Ultimately, the impact and legacy of his cartoons remain a subject of debate and discussion in the Philippines and beyond.

It is important to remember that using derogatory terms towards any individual or group is disrespectful and dehumanizing. Language has the power to shape our perceptions and attitudes towards others, and using derogatory terms can perpetuate harmful stereotypes and discrimination.

Instead of focusing on derogatory terms, we should strive to use language that is inclusive, respectful, and promotes empathy and understanding towards others. Let us choose our words carefully and be mindful of the impact they have on others.

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